I lean much more towards Instagram influencer than I do YouTube filmmaker, and yet I shoot most of my content on a mirrorless camera and own 5 different Canon RF lenses (yes, I have a bit of a gear obsession).
But do I really use them all? And would I recommend them all to creators who create similar content to me?
I know trying to figure out which lens to buy for your YouTube channel or Instagram content can be overwhelming, especially when every tutorial online sounds like it’s made for full-on filmmakers.
So in this post, I’m walking you through every Canon RF lens I use for filming, what I actually use them for, and how different focal lengths affect the look and feel of your content.

This isn’t a review. It’s not a deep dive into specs. It’s just me sharing my experience, what I personally shoot with, and what I’ve learned along the way as an influencer-leaning creator who films a lot of her own stuff.
*Some of the links included in this post are affiliate links. This means if you click on them and make a purchase, I will make a small commission at no additional cost to you.*
And if you’re more of a visual learner, I’ve dropped the YouTube video version of this below!
Wait — What Is Focal Length & Why Does It Matter?
Let’s keep this simple.
Focal length is that little number on your lens — like 35mm, 85mm, etc. — and it affects:
- How zoomed in your shot is
- How much of the background you can see
- How distorted or natural your face looks
- How close your camera needs to be to get the shot
So yeah, it’s kind of a big deal — especially when you mostly film yourself, like I do.
Quick PSA on Crop Sensors vs Full Frame
This matters more than you think.
I shoot on the Canon RP, which is a full-frame camera. That means the focal length on my lenses is accurate. But if you shoot on an APS-C crop sensor (like Canon’s EOS R50 or R100), your lens will look more zoomed in than it says.
For example:
- A 35mm lens on a crop sensor looks more like 56mm
- A 50mm lens looks more like 80mm
So if you’re shooting in a small space (like, say, your apartment), that crop can make a big difference.
Every Canon RF Lens I Own as a Content Creator
Canon RF 35mm f/1.8 Macro IS STM
The All-Around MVP
This was my first RF lens — and it’s still the one I reach for the most.

What I love:
- Super natural field of view
- Great for YouTube sit-downs, IG reels, and casual B-roll
- Wide enough to show the background but still flattering
What it’s not great for:
- Super wide vlogging (you’ll need long arms or a tripod)
Bottom line: If you’re only buying one lens to start with, this is the one I’d point you to.

Canon RF 50mm f/1.8 STM
The Nostalgia Lens
I had a 50mm on my old crop-sensor DSLR and it was by far my favourite lens. I did a lot of photography with it (like here, here, and here). So when I upgraded to the RF system, I had to grab this one.

What I use it for:
- YouTube videos
- Portrait-style shots
- That creamy blurred background look
What it’s not great for:
- Filming yourself vlog-style.
Bottom line: Gorgeous, but not the most practical solo-filming lens.

Canon RF 85mm f/2 Macro IS STM
The Too-Pretty-to-Use Lens
This one? Chef’s kiss. But I almost never use it because it’s SO impractical.

Why I bought it:
- Everyone on YouTube swore by the 35-50-85mm “trio”
- I got swept up in the hype
Why I don’t reach for it:
- It’s so zoomed in
- I literally don’t have enough space in my apartment to use it properly
- Works best when someone else is holding the camera
Bottom line: Great for portraits and detail shots, not great for people filming themselves

Canon RF 24-240mm f/4-6.3 IS USM
The Travel Hero
This is the only zoom lens I own, and I bought it specifically for travel. It’s so convenient when I don’t want to be swapping lenses on the go.

Why I love it:
- Covers a huge range (24mm to 240mm!)
- Perfect for events, travel vlogs, and B-roll
- Great when I don’t know what I’ll need to shoot
Where it falls short:
- Not as sharp as my prime lenses
- Higher aperture = worse in low light
- Can’t get the same creamy background blur
Bottom line: Not perfect, but so worth it for flexibility.


Canon RF 16mm f/2.8 STM
The Ultra-Wide Vlog Queen
My 30th birthday gift from my parents, and easily the most fun lens I own.

What it’s amazing for:
- Handheld vlogging
- Room and landscape shots
- Showing your environment
What to keep in mind:
- Can distort your face a little if you’re super close
- Not great for tight talking head videos
Bottom line: If you vlog or want that wide, immersive look — this one’s a gem.

What Focal Length Is Best for You?
Again here’s a look at how the different RF prime lenses (the static/non-zoom lenses) look side-by side.




Here’s a little cheat sheet based on what kind of content you’re creating:
| Content Type | Recommended Focal Lengths | My Go-To Lens |
|---|---|---|
| Talking Head Videos | 35mm – 50mm | RF 35mm f/1.8 |
| Portraits / Detail Shots | 50mm – 85mm | RF 50mm or 85mm |
| Vlogging (Handheld) | 16mm – 24mm | RF 16mm f/2.8 |
| B-Roll / Travel / Events | 24–100mm+ Zoom | RF 24-240mm |
| One Lens to Rule Them All | 24-70mm | RF 24-240mm |
Final Thoughts: You Don’t Need Every Lens — Just the Right One for You
If you’re just getting started with filming as a content creator, don’t stress about building out a full collection right away. I definitely got caught up in the lens-buying spiral (aka GAS: gear acquisition syndrome), and while I love the variety I have now, I absolutely do not need all these.
Ask yourself:
- Where do I film most often?
- Do I film myself or have help behind the camera?
- What kind of content do I love creating?
Start from there. And if you’re in the Canon ecosystem, the RF 35mm f/1.8 is an amazing all-around lens to begin with.
xUntil Next TIme
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